Urban Scenography
Urban InstallationPartner: Roystonhill Community Hub
2024
Liminal spaces are transitional and often overlooked spaces that exist as residual areas between established destinations. This project focuses on a specific underpass beneath the M8 motorway in Royston, traversed daily by commuters from residential areas to the city center. However, this passage is associated with feelings of insecurity, neglect, and monotony. The project aims to facilitate a transition from non-place to a 'third place,' offering a social environment that is neither work, home, or a place of consumption. Through a co-design process involving the underpass's users, the intervention introduces three scenographic elements that reveal the space’s potential for play, introspection, and improve the feeling of safety. Passersby are invited to interact with reflective and colorful installations, engaging with the sun’s light to create playful scenes. The use of mirror stainless steel enhances visibility and contributes to improving the sense of safety by reflecting the surrounding environment. This scenography encourages users to interpret light and shadow effects; rotative structures allow to redirect the sun’s light, distorted metal surfaces cast atmospheric reflections, and sliding transparent colored panels blend colored shadows. They define areas and create sensorial ludic cues that transform the perception of the space.
Three scenographic devices revealing the underpass’ potential for play and introspection and enhancing the feeling of safety.
Process
Impressions from users of the space
Co-Design workshop
The workshop welcomed 10 participants, from a local councellor to parents and members of local associations. They raised many issues concerning the feeling of safety and depressing atmosphere of the space. Their ideas for re-enchantment revolved around play and creative expression.
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The workshop welcomed 10 participants, from a local councellor to parents and members of local associations. They raised many issues concerning the feeling of safety and depressing atmosphere of the space. Their ideas for re-enchantment revolved around play and creative expression.
Shadow Playscape
Urban InstallationPartner : Pavillion Kalk Youth Center
w/ Oona O’Brien, Joanna Blusch, Hellen Müller, Lili Neuhauser
2022
Shadow Playscape is an interactive installation designed for children in Cologne’s Burgerpark.
The goal is for them to interact with the shapes created by the casted shadows of our installation. The shadows evolve and move at the same time as the sun, but can also be controlled by children thanks to a dedicated handle located on the side of the structure.
The goal is for them to interact with the shapes created by the casted shadows of our installation. The shadows evolve and move at the same time as the sun, but can also be controlled by children thanks to a dedicated handle located on the side of the structure.
Process
Location & Intention
During my time in Cologne, I was living in the Kalk district, this area is overlooked and deserted by public infrastructures and in need of design initiatives. Behind the Arcaden mall is a vast and shadeless area, surrounded by housing buildings where children often play in the sun. The intention was to re-enchant this public space by playing with the characteristics of its environment, and allow kids to express their storytelling potential through a new medium. Workshop
We wanted to involve children at a very early stage in the design of our structure and carry o ut a research and ideating session with them. We rapidily reached out to Pavillion Kalk Youth Center who accepted to support our project and to help us organize a workshop with the children living near Burger Park. We created tools that allowed us to co-create the installation with the kids of the district, to understand their needs and give them freedom to create their own playground games.Expressive light
Costume design
Felt, aluminium, leds
2021
Costume design
Felt, aluminium, leds
2021
Expressive light is a mask for the theatre that amplifies the actor’s emotions. It lights up with different setting depending on where the actor touches it. The light is used to sculpt the face, enhance features and create dramaturgical effects.
The approach was experimental, it was about understanding how shadows were reshaping the face and creating different characters. The mask is integrated with three sets of three leds allowing the actor to play with nine different settings. The electronics are guided by an aluminium frame covered with black felt
What if paintings could touch us ? (Literally)
Vibrative suit
Fabric,vibrators,wires,batteries
2020
Vibrative suit
Fabric,vibrators,wires,batteries
2020
One of the first rules when visiting an exhibition is «do not touch», this project proposes to get around this interdiction through an immersive exhibition where paintings and sculptures are experienced through the skin.
Thanks to a technology of vibrations, this jumpsuit allows the public of an exhibiton to feel the mouvements of the brush on the canvas, the variations of colors and the ambiance of a painting. To adapt the jumpsuit to diverse morphologies and sensibilities to the vibrations, there are twelve laces systems integrated with the textile. The technology is composed of 2500 micro vibrators, mesuring around 1cm, and incorporated in this jumpsuit. By activating vibrators at different times and intensities we are able to create vibrating patterns recreating the sensation of being touched. The interface is designed to help translate visual inputs into those vibrating patterns, it allows the vibration designer to program the intensity, time and position of the vibrators.
Early life
Scenography and Event
w/ Cora Rogall, Katsumi Ota, Viola Funke, Mohit Malhotra, Marco Puzik,Jakob Greven, Daniela Perez, Benjamin Horz, Helena Logsch, Can Yildiran, Angelica Schenk.
2022
Scenography and Event
w/ Cora Rogall, Katsumi Ota, Viola Funke, Mohit Malhotra, Marco Puzik,Jakob Greven, Daniela Perez, Benjamin Horz, Helena Logsch, Can Yildiran, Angelica Schenk.
2022
Early life is a scenographic project designed for the Early Music Festival organised by Zamus in Cologne. This festival explores the origins of music and its evolution, the scenography tells the story of the beggining of life, surrounded by water and early creatures. The soft mouvement of the fabric and hypnotising reflections are moving in harmony with the mesmerizing sounds.
Stage design
Event design
The event part of the project involved food design, in harmony with the stage elements, food was presented in form of spheres, molecules. They were surved in trays designed to fit the organic, early life theme.